Naija Common music – The Music Of Nigeria. For all those individuals unfamiliar with Naija Well-known music – this is actually the sound emanating through the Nigerian Music scene. African popular music is, around the whole, as diverse as the cultures found throughout the continent with every region enjoying its own unique style of music combined with a range of instruments many Westerners are not familiar with.
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Nigerian Music includes anything from Folk Music to much of the Favorite Favorite music found through the world. There are many indigenous and ethnic peoples in Nigerian – therefore it should not be surprising that each ethnic group enjoys its very own unique favorite music flavour and instrumentals, poetry and favorite music style.
Are you aware, as an example, that traditional music found in Nigeria is closely associated with its agriculture, with certain instruments not being permitted to be played during various seasons? Labour songs are a everyday sort of indigenous Nigerian music which helps to help keep the rhythm of workers in fields along with the river canoes (think slave songs from the Deep South).
The tale is frequently told regarding the mother cheetah who returns home from your hunt to discover her cubs have already been trampled to death by elephants. Knowing that she actually is no match for such giants, she blames and kills a herd of goats. Similarly, when a group of Kenyan musicians took towards the streets the other day calling for less Nigerian and Tanzanian well-known music, they were killing goats. The elephant in cases like this is history. However, not really history is a match for innovation.
It’s funny, but the country favorite music star Kenny Rogers may come to Kenya today, charge an arm along with a leg, and play per month of sold-out stadium gigs. Yet his heyday is in the ‘80s. Exactly the same holds true for top-tier Nigerian acts. Their time, however, has become. Kenya seems predisposed to preferring the foreign, the exotic, the western. At the risk of being accused of raising ‘that old trope,’ it all began with the erosion of our culture if the colonialists came. Colonialism eroded Kenyan culture I daresay a lot more than it did in West Africa, in Uganda, in Tanzania. Kenya had been a settler state. The Brits had no plans of going anywhere. Ever. And then in their assistance, and under duress, we threw the culture baby out with the pagan bath water and planted the Church and the Union Jack over the scene in the crime dressed in mandatory, state-issued calico cloth threatened from the physical and mental whips of our own settler masters. So when the new government in independent Kenya clamped down on the Funk movement from the late 70s along with other artistic expression, threatening and jailing academics in the universities and strangling the media, we shrunk into our cocoons, allowing ourselves instead to become satiated and sedated from the likes of ABBA, The Bee Gees and also the Beatles. Homegrown innovation have been dealt a blow that could take us decades to recoup from. I used to be born middle class (and English-speaking) in the ‘70s. My predilection for those things Western was established early in life. I would personally be irritated, nay embarrassed, when I’d return home from school and locate the housekeeper blasting ‘that shady Rhumba.’ When I began my music career in the 90s there weren’t many Kenyan musicians to appear up to. Anyone who had managed to record anything had been condemned by society to dying, drunk or living poor, a consequence of ‘loose morals and bad choices.’
I’m always slightly embarrassed once i introduce myself to folks I meet round the continent. I’m ‘Eric,’ whilst the South Africans are ‘Kgomotso’; the Nigerians are ‘Olusegun.’ Even whilst the Tanzanians may be ‘Damien’- pronounced ‘Da-mi-YEN’- they speak Kiswahili with your ease and fluidity having studied subjects like Biology in their national language. The Kiswahili language rolls off their tongues like honey to the easy beat of Bongo Flavour, as close that you can reach Zouk singing on dry land. As a result, in Tanzania, American Idol loses pride of spot to Project Bongo, a reality show concentrating on homegrown talent. Conversely, urban Kenyans get in terms of Sheng, a hybrid of Kiswahili and vernacular ipebrc so diverse that children from estates separated by less than a highway have different names for the same thing. Sheng dictionaries become obsolete when they go to press, owing to the rapidity inside the change of vocabulary. A Sheng speaker can date you to definitely inside a year of the birth, locate your house to inside a street from the word you make use of for ‘car’ or ‘mobile phone.’ Within the rural areas, Kiswahili is just as foreign as Greek, and is spoken only by those who could have picked it in school or by those ethnicities whose ethnic language shares a common Bantu base with Kiswahili, similar to that between Italian and Spanish. We claim to get a national language. Listen again.